Monica, O My Darling (2022)
A slick robotics expert joins a murderous plot after a passionate affair takes a sudden turn, but nothing not even death , is what it seems to be.
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Duration : 2h 9min
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There’s plenty of activity on the screen and off it. If the brain has to keep track of a series of hairpin bends, the eye is guided towards cinematographer Swapnil S Sonawane’s lush visuals and the ear has to accommodate renditions of Piya Tu Ab To Aaja and Achint Thakkar’s self-consciously retro score. What’s this, Crime Patrol Pune, asks last-word freak Naidu.
The identity of the plot’s chief tormentor is scarcely a matter of suspense. The staccato narrative includes shifting loyalties, two winking cameos, and a few too many strands to straighten out. The grace notes in the cacophony include a welcome lack of moralising, a cheerfully wicked tone, and the amiable cast.
Rajkummar Rao’s superbly judged amoral climber is the star of the show. Finally handed a part that matches his protean talent, Rao easily towers over most of the cast.
Sikandar’s Kher’s “dynamic appearance”, as it is aptly billed in the opening credits, suggests that this contemporary actor fits right into the 1970s milieu in which the film’s makers dunk their ideas. Radhika Apte gleefully chomps hard on her character requirements, which include evil laughing.